“辞达”二字是孔夫子以道德为本位的文辞观念的集中反映,自汉代以来,历代学者关于“辞达”的理解众说纷纭,大抵可以分为经学视域与文学视域两个角度,聚焦于“辞达于事实”“辞达于理”“辞达意而已”三个层面。正是在这聚讼纷纭的基础上,到了宋代,苏轼提出“辞达于意而已”的文章观念,主张辞止于达意,亦是追求文采,这是在道统观念之外对文本创作自身价值的回归。苏轼论“辞达”所反映的文章观念有其特定的历史背景,这一特定背景决定了苏轼的文学价值观首先应是经世致用,其次才是对文学自身独立价值的肯定。苏轼的文学观念不仅对宋代文学的发展有极其重要的影响,对当下文学核心价值观的建构亦有借鉴意义,以道德为本位的文学审美价值观的建构应避免教条化,文学与道德均应来源于生活并回归至生活。 “Ci Dacai ” is the concentrated reflection of Confucius’ morally moral concept of diction. Since the Han dynasty, scholars of different dynasties have different opinions on “Ci Dacu ”, which can roughly be divided into two categories: From two perspectives, we focus on the three aspects of “exalting fact”, “exalting reason”, “excuse me”. It is on the basis of this controversy that in the Song Dynasty Su Shi put forward his article concept of “expressing his own meaning”. He advocated that his resignation should be at his heart and his pursuit of literary talent was the creation of texts beyond the concept of Taoism Return of own value. Su Shi’s theory of “resignation” reflects the article’s concept has its own specific historical background. This particular background determines that Su Shi’s literary values ​​should first be used by the society, and secondly affirmation of the independent value of literature. Su Shi’s notion of literature not only has an extremely important influence on the development of literature in the Song Dynasty but also serves as a reference for the construction of the core values ​​of the present literature. The construction of a literary aesthetic value based on morality should avoid dogma and both literature and morality should come from Live and return to life.