从“诗画”的立场研究中国文人绘画,不能离开两条基本线索,一是中国诗歌发展史,二是中国绘画发展史。卢辅圣的《中国文人画通鉴》更是把“文人画”和“文人之画”分别对待,认为“从宗炳到王维,显示了文人之画对自身品格的追求,逐渐由对态度、功能的侧重,转向对胸次、趣味的侧重。”[1]如果把追求诗、书、 From the perspective of “poetry and painting”, we can not leave two basic clues to study Chinese literati painting. One is the history of the development of Chinese poetry and the other is the history of the development of Chinese painting. Lu Fu-shen’s “Chinese literati painting guide” treats “literati painting” and “literati painting” separately, believing that “from Zong Bing to Wang Wei, it shows the pursuit of the literati’s paintings for one’s own character, Gradually from the attitudes, functions, focus on the chest, the focus of fun. ”[1] If the pursuit of poetry, books,