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现代甬剧《宁波大哥》，是浙江省唯一入选第十二届中国戏剧节剧目，其在台前幕后的见闻令人唏嘘不已，激动人心。它在2011年全国戏剧界声名播扬。
山城动容
丹桂飘香时节，第十二届中国戏剧节在山城重庆拉开帷幕。这是每两年举办一次的全国性戏剧展示和评奖。剧团精彩演艺使山城动容。地方小剧种甬剧《宁波大哥》入选，不仅是甬剧的荣光，也是对甬剧的考验。因为在戏剧节上献艺竞技的，有来自北京、上海、西藏等18个省市自治区和中直以及部队系统的29个参演剧目，这些从全国100多台戏中过关斩将选拔的优秀剧作，涵盖了昆曲、京剧、川剧、豫剧、秦腔、越剧、黄梅戏等15个戏曲剧种以及话剧、舞剧、音乐剧。《宁波大哥》剧组人员则精神振奋、心态平静，正如主要演员王锦文所说：“我们在排演过程中，什么都不想，只是一味想把这个剧目演好。”
10月15日，《宁波大哥》亮相在重庆巴渝剧场，剧情演到最后一场，场内噪动。工作人员紧张，难道发生了什么事故，还是甬剧的宁波方言酿成语言障碍的倒彩？一听，观众席上有人嚎啕大哭；细听，还有哭泣声一片。原来是剧中人物王永强惊天地、泣鬼神的表演引起的。这使人记起共和国成立之前上演《白毛女》时，有一次观众看到台上恶霸黄世仁的胡作非为，有位战士竟然要拔枪打死饰黄世仁的演员，以至后来规定观众不能持枪进入剧场。
与当年《白毛女》激起的仇恨之情相比，《宁波大哥》让人迸发的是感恩之心所产生的震撼。演出结束后，不少重庆观众还给甬剧团打来电话，有个观众说：“我长久没有看到过这样的好戏，更没有见过催人泪下的好戏，惟独只有《宁波大哥》。”
知恩图报
《宁波大哥》的剧情发生在上世纪80年代之后，这是弘扬传统美德的新曲。
剧中宁波大哥李信良和王永强结成生死兄弟。18年前，年轻的王永强流落异乡，身染重病，在孤苦无助中，遇上萍水相逢的宁波老乡李信良，李信良毫不犹豫地伸出救援之手，从经济资助到长达四个多月的护理，悉心照顾王永强的生活；李信良至纯至美的言行，滋润了王永强的心坎，把王永强从死亡线上拉回来，鼓起了王永强的人生风帆。
王永强心中一直惦念着大哥李信良，要让企业赚大钱来报答恩人。但是商海风波，事业受挫，王永强为避债务，造成阴差阳错，18年兄弟之间擦肩而过未曾相见。待到18年后，叱咤风云的民营企业家王永强，千里寻恩人，终于找到恩深义重的李信良家。但恩人却在三年前患绝症去世。此时阴阳两隔、不胜遗憾。
第七场雪野荒原祭坟是全剧的高潮。王永强由沃幸康扮演，他全身心进入剧中角色，且听那千古知音的唱腔：
十八年我发誓要混出个人模样，到如今，混来了钱，混足了粮，混出了富裕和堂皇。岂料想兄弟相见隔阴阳，跪荒冢痛定思痛扪心思以往，多少事悔愧煎心无法再补偿。我只顾全部身心扑向创业场，却忘掉亲情需要时时慰寒凉。我只顾眼盯利润赚赔升与降，却忘了人生苦短天伦及时享。我只顾赚足金钱一总报恩账，却忘了人性温暖最美是家常。
王永强祭坟之后懂得大哥李信良的大爱无疆，怀着对大哥的深厚感情，设立了宁波大哥教育基金，把片片爱心洒向人间。
浙江骄傲
《宁波大哥》主要剧情确有其人其事。
“李信良”的真名实姓是李信国，宁波市海曙区人，宁波赴黑龙江知识青年，在宁波知青博物馆有李信国的雕像。
“王永强”的原型人物是王国军，余姚市小曹娥人，王龙集团总裁。2008年被评为“浙江骄傲”十大人物之一。
王国军外表平凡却志存高远。沃幸康为探索王永强的内心世界，多次与王国军谈心，认为王国军是一个非常低调的人，不喜欢张扬，但又有非常崇高的志向，一定要在市场经济中赚到大钱，用来报恩。
王国军的家乡小曹娥镇地处锦绣的宁绍平原，民风淳朴。小曹娥海涂旁边传说为曹娥父女沉江浮尸之地。后来小曹娥人建起曹娥殿，如今改称孝女庙，小曹娥的地名就由此而来。至今那里每年有以孝文化为主题的文化活动。王国军成长在孝文化之乡的土地上，从小沐浴着慈孝文化，受人滴水之恩，要报之以涌泉。
小曹娥镇人大主席李树强先生讲述王国军是当地有口皆碑的好人。《宁波大哥》把好人编成好戏，剧情生动有看头。剧目把知恩图报的主题演得丝丝入扣，使人间真情升华成大爱。
身为民营企业家的王国军，为报恩矢志不渝，百折不挠办好企业。小曹娥是中国榨菜之乡余姚市的榨菜发源地，王国军深谙以前榨菜加工使用防腐剂的弊端，他在原子能专家的指导下，筚路蓝缕，试制成山梨酸钾。这种安全、高效的食品添加剂由联合国世界粮农组织和世界卫生组织向各国推荐。王国军的公司所产山梨酸钾除出口外，国内市场的覆盖率占60%。《宁波大哥》折射出了企业文化的软实力，诠释了社会主义价值体系的丰富内涵。
锦上添花
剧本乃一剧之本。《宁波大哥》题材的选定，剧组人员忘不了慧眼独具的郭国强先生。2004年5月8日，他在宁波去北京的飞机上，看到宁波日报刊登王国军知恩图报的事迹，决计把它搬上舞台。但是，创作真人真事的现代剧，其难度为业内人士所共知。担任宁波市艺术剧院院长的郭国强更为理解，要把真人真事转化成艺术形象，难免有人要“对号入座”，体现人物内心的矛盾挣扎会担心不被认同。半个世纪前，离小曹娥镇5公里外有《斗诗亭》现代戏题材的产生地，造成那里的人为悲剧，令人扼腕叹息。所以有人把现代剧的作者比作“戴着脚镣跳舞者”。
宁波市的甬剧团、越剧团和歌舞团3个国有文艺团体在体制改革中，统一合并成立了宁波市艺术剧院，在建设文化强市的背景下，郭国强院长说，机制更活，管理更规范，艺术的生产力得到释放。《宁波大哥》的剧本，颠覆性的修改就有四次，至于小的修改不计其数。从改剧本、写唱词到作曲、排演，每一个环节都要下功夫，有的甚至白天连着黑夜地“熬”。为备战中国戏剧节，国庆节长假《宁波大哥》剧组人员一天都没休息，每天都在院里排演。
《宁波大哥》源于生活，又要本质地艺术地体现生活、高于生活，为此剧组人员深入到真人真事所在地小曹娥和黑龙江七台河煤矿，在故事发生地体验生活，男演员们还深入到600米深的煤矿里，感受主人公李信良当年的煤矿生涯。剧目的主演沃幸康、王锦文都是国家一级演员，《宁波大哥》的演出，无论在首都北京，还是在北陲黑龙江，观众反映剧情、人物没有“高、大、全”的宣传，唱词也没有拔高的说教，那贴近生活的演艺，在建设思想道德文化中更令人信服。《宁波大哥》宛转悠扬的唱腔，听起来隽永悦耳，具有浓郁的江南特色。地方小剧种，承担起厚重大题材，称得上越有个性和特色，越能传之久远。
《宁波大哥》荣获第十二届中国戏剧节剧目奖。
主演沃幸康荣获第十二届中国戏剧节优秀表演奖。□
Ningbo Opera Play Wins Top National Prize
By Chen Weiquan
The 16-day-long 12th China Theater Festival in Chongqing concluded on October 30, 2011. The biennial gala celebrates China’s regional operas as well as western stage arts such as drama, musical and dance drama. It serves as the final for the best plays after preliminary presentations across the country. The 29 plays at this year’s festival represented 15 regional operas across the country and were the winners out of the first round selection in which more than 100 plays competed.
“Brother from Ningbo,” a Ningbo Opera play staged by Ningbo Arts Troupe, was the only regional opera performance that represented Zhejiang Province at the national theater gala. It won a Best Play Award at the festival. The play was staged at Bayu Theater in Chongqing on October 15. The stage manager panicked when a commotion occurred during the last act. For a second, he did not know whether there was an accident or audience finally revolted because Ningbo dialect became an unbearable language nuisance. But he soon felt relieved. Someone among the audience was crying loudly and many were sobbing. They were all being touched by the tear-jerking finale of the play.
In the play, Wang Yongqiang, a sick young man down and out in the world, runs into Li Xinliang, a man from Ningbo. Li goes out of his way to help the young man in trouble. He foots all the medical bills of Wang and nurses him back to health over a period of four months. Wang comes back from near death. The two become sworn brothers. In order to return Li’s generosity and big-heartedness on his own terms, Wang Yongqiang works hard and swears to become rich enough before he sees his savior again, but he fails to make it soon enough. After he finally succeeds as a businessman after 18 years of hard work, Wang goes proudly to find his savior. Unfortunately, Li died of cancer three years ago. Wang visits the cemetery and weeps at the tomb of his sworn brother. The final act depicts how Wang expresses his regret and that was what moved the audience to tears.
The play is based on real people and real events. Li Xinliang in the play is based on the story of a man named Li Xinguo. A native of Ningbo, he went to Heilongjiang Province during the Cultural Revolution (1966-1976). A generous man, he helped people and died of cancer. Today, his statue stands at a Ningbo museum in honor of the young who left home and went to the rural areas during the Cultural Revolution. The character Wang Yongqiang in the play is based on the story of Wang Guojun, an entrepreneur and philanthropist of Ningbo origin. Wang now runs a business that produces potassium sorbate, a high-tech food additive for making various pickles in China. Wang’s business has 60% share of the national market.
Guo Guoqiang, president of Ningbo Arts Troupe, played a key role in choosing Li and Guo as the heroes of the new play. Guo Guoqiang read about Wang in Ningbo Daily during his flight from Ningbo to Beijing on May 8, 2004. Inspired, he decided to make a play to tell the story. However, it would be very challenging to tell a story about real people on the stage. People in the theater circle in Zhejiang learned it the hard way. Half a century ago, an inspired playwright wrote a play based on a real event. It caused political trouble and suffering to innocent people. But Guo decided to go ahead. After all, the world had changed a great deal.
Art was the greatest challenge to Guo and his troupe. The script went through numerous rewriting, including four major ones. Guo and his scriptwriters avoided sermonizing a grand ideology. They wanted something that would appeal to the hearts of the people. Artists went to the coal mine in Heilongjiang Province where Li once lived and worked. They went down to the 600-meter-deep underground where coalminers worked. As the festival day was approaching, the artists drove themselves even harder. They worked day and night to perfect every detail. The assiduous work paid off. □
山城动容
丹桂飘香时节，第十二届中国戏剧节在山城重庆拉开帷幕。这是每两年举办一次的全国性戏剧展示和评奖。剧团精彩演艺使山城动容。地方小剧种甬剧《宁波大哥》入选，不仅是甬剧的荣光，也是对甬剧的考验。因为在戏剧节上献艺竞技的，有来自北京、上海、西藏等18个省市自治区和中直以及部队系统的29个参演剧目，这些从全国100多台戏中过关斩将选拔的优秀剧作，涵盖了昆曲、京剧、川剧、豫剧、秦腔、越剧、黄梅戏等15个戏曲剧种以及话剧、舞剧、音乐剧。《宁波大哥》剧组人员则精神振奋、心态平静，正如主要演员王锦文所说：“我们在排演过程中，什么都不想，只是一味想把这个剧目演好。”
10月15日，《宁波大哥》亮相在重庆巴渝剧场，剧情演到最后一场，场内噪动。工作人员紧张，难道发生了什么事故，还是甬剧的宁波方言酿成语言障碍的倒彩？一听，观众席上有人嚎啕大哭；细听，还有哭泣声一片。原来是剧中人物王永强惊天地、泣鬼神的表演引起的。这使人记起共和国成立之前上演《白毛女》时，有一次观众看到台上恶霸黄世仁的胡作非为，有位战士竟然要拔枪打死饰黄世仁的演员，以至后来规定观众不能持枪进入剧场。
与当年《白毛女》激起的仇恨之情相比，《宁波大哥》让人迸发的是感恩之心所产生的震撼。演出结束后，不少重庆观众还给甬剧团打来电话，有个观众说：“我长久没有看到过这样的好戏，更没有见过催人泪下的好戏，惟独只有《宁波大哥》。”
知恩图报
《宁波大哥》的剧情发生在上世纪80年代之后，这是弘扬传统美德的新曲。
剧中宁波大哥李信良和王永强结成生死兄弟。18年前，年轻的王永强流落异乡，身染重病，在孤苦无助中，遇上萍水相逢的宁波老乡李信良，李信良毫不犹豫地伸出救援之手，从经济资助到长达四个多月的护理，悉心照顾王永强的生活；李信良至纯至美的言行，滋润了王永强的心坎，把王永强从死亡线上拉回来，鼓起了王永强的人生风帆。
王永强心中一直惦念着大哥李信良，要让企业赚大钱来报答恩人。但是商海风波，事业受挫，王永强为避债务，造成阴差阳错，18年兄弟之间擦肩而过未曾相见。待到18年后，叱咤风云的民营企业家王永强，千里寻恩人，终于找到恩深义重的李信良家。但恩人却在三年前患绝症去世。此时阴阳两隔、不胜遗憾。
第七场雪野荒原祭坟是全剧的高潮。王永强由沃幸康扮演，他全身心进入剧中角色，且听那千古知音的唱腔：
十八年我发誓要混出个人模样，到如今，混来了钱，混足了粮，混出了富裕和堂皇。岂料想兄弟相见隔阴阳，跪荒冢痛定思痛扪心思以往，多少事悔愧煎心无法再补偿。我只顾全部身心扑向创业场，却忘掉亲情需要时时慰寒凉。我只顾眼盯利润赚赔升与降，却忘了人生苦短天伦及时享。我只顾赚足金钱一总报恩账，却忘了人性温暖最美是家常。
王永强祭坟之后懂得大哥李信良的大爱无疆，怀着对大哥的深厚感情，设立了宁波大哥教育基金，把片片爱心洒向人间。
浙江骄傲
《宁波大哥》主要剧情确有其人其事。
“李信良”的真名实姓是李信国，宁波市海曙区人，宁波赴黑龙江知识青年，在宁波知青博物馆有李信国的雕像。
“王永强”的原型人物是王国军，余姚市小曹娥人，王龙集团总裁。2008年被评为“浙江骄傲”十大人物之一。
王国军外表平凡却志存高远。沃幸康为探索王永强的内心世界，多次与王国军谈心，认为王国军是一个非常低调的人，不喜欢张扬，但又有非常崇高的志向，一定要在市场经济中赚到大钱，用来报恩。
王国军的家乡小曹娥镇地处锦绣的宁绍平原，民风淳朴。小曹娥海涂旁边传说为曹娥父女沉江浮尸之地。后来小曹娥人建起曹娥殿，如今改称孝女庙，小曹娥的地名就由此而来。至今那里每年有以孝文化为主题的文化活动。王国军成长在孝文化之乡的土地上，从小沐浴着慈孝文化，受人滴水之恩，要报之以涌泉。
小曹娥镇人大主席李树强先生讲述王国军是当地有口皆碑的好人。《宁波大哥》把好人编成好戏，剧情生动有看头。剧目把知恩图报的主题演得丝丝入扣，使人间真情升华成大爱。
身为民营企业家的王国军，为报恩矢志不渝，百折不挠办好企业。小曹娥是中国榨菜之乡余姚市的榨菜发源地，王国军深谙以前榨菜加工使用防腐剂的弊端，他在原子能专家的指导下，筚路蓝缕，试制成山梨酸钾。这种安全、高效的食品添加剂由联合国世界粮农组织和世界卫生组织向各国推荐。王国军的公司所产山梨酸钾除出口外，国内市场的覆盖率占60%。《宁波大哥》折射出了企业文化的软实力，诠释了社会主义价值体系的丰富内涵。
锦上添花
剧本乃一剧之本。《宁波大哥》题材的选定，剧组人员忘不了慧眼独具的郭国强先生。2004年5月8日，他在宁波去北京的飞机上，看到宁波日报刊登王国军知恩图报的事迹，决计把它搬上舞台。但是，创作真人真事的现代剧，其难度为业内人士所共知。担任宁波市艺术剧院院长的郭国强更为理解，要把真人真事转化成艺术形象，难免有人要“对号入座”，体现人物内心的矛盾挣扎会担心不被认同。半个世纪前，离小曹娥镇5公里外有《斗诗亭》现代戏题材的产生地，造成那里的人为悲剧，令人扼腕叹息。所以有人把现代剧的作者比作“戴着脚镣跳舞者”。
宁波市的甬剧团、越剧团和歌舞团3个国有文艺团体在体制改革中，统一合并成立了宁波市艺术剧院，在建设文化强市的背景下，郭国强院长说，机制更活，管理更规范，艺术的生产力得到释放。《宁波大哥》的剧本，颠覆性的修改就有四次，至于小的修改不计其数。从改剧本、写唱词到作曲、排演，每一个环节都要下功夫，有的甚至白天连着黑夜地“熬”。为备战中国戏剧节，国庆节长假《宁波大哥》剧组人员一天都没休息，每天都在院里排演。
《宁波大哥》源于生活，又要本质地艺术地体现生活、高于生活，为此剧组人员深入到真人真事所在地小曹娥和黑龙江七台河煤矿，在故事发生地体验生活，男演员们还深入到600米深的煤矿里，感受主人公李信良当年的煤矿生涯。剧目的主演沃幸康、王锦文都是国家一级演员，《宁波大哥》的演出，无论在首都北京，还是在北陲黑龙江，观众反映剧情、人物没有“高、大、全”的宣传，唱词也没有拔高的说教，那贴近生活的演艺，在建设思想道德文化中更令人信服。《宁波大哥》宛转悠扬的唱腔，听起来隽永悦耳，具有浓郁的江南特色。地方小剧种，承担起厚重大题材，称得上越有个性和特色，越能传之久远。
《宁波大哥》荣获第十二届中国戏剧节剧目奖。
主演沃幸康荣获第十二届中国戏剧节优秀表演奖。□
Ningbo Opera Play Wins Top National Prize
By Chen Weiquan
The 16-day-long 12th China Theater Festival in Chongqing concluded on October 30, 2011. The biennial gala celebrates China’s regional operas as well as western stage arts such as drama, musical and dance drama. It serves as the final for the best plays after preliminary presentations across the country. The 29 plays at this year’s festival represented 15 regional operas across the country and were the winners out of the first round selection in which more than 100 plays competed.
“Brother from Ningbo,” a Ningbo Opera play staged by Ningbo Arts Troupe, was the only regional opera performance that represented Zhejiang Province at the national theater gala. It won a Best Play Award at the festival. The play was staged at Bayu Theater in Chongqing on October 15. The stage manager panicked when a commotion occurred during the last act. For a second, he did not know whether there was an accident or audience finally revolted because Ningbo dialect became an unbearable language nuisance. But he soon felt relieved. Someone among the audience was crying loudly and many were sobbing. They were all being touched by the tear-jerking finale of the play.
In the play, Wang Yongqiang, a sick young man down and out in the world, runs into Li Xinliang, a man from Ningbo. Li goes out of his way to help the young man in trouble. He foots all the medical bills of Wang and nurses him back to health over a period of four months. Wang comes back from near death. The two become sworn brothers. In order to return Li’s generosity and big-heartedness on his own terms, Wang Yongqiang works hard and swears to become rich enough before he sees his savior again, but he fails to make it soon enough. After he finally succeeds as a businessman after 18 years of hard work, Wang goes proudly to find his savior. Unfortunately, Li died of cancer three years ago. Wang visits the cemetery and weeps at the tomb of his sworn brother. The final act depicts how Wang expresses his regret and that was what moved the audience to tears.
The play is based on real people and real events. Li Xinliang in the play is based on the story of a man named Li Xinguo. A native of Ningbo, he went to Heilongjiang Province during the Cultural Revolution (1966-1976). A generous man, he helped people and died of cancer. Today, his statue stands at a Ningbo museum in honor of the young who left home and went to the rural areas during the Cultural Revolution. The character Wang Yongqiang in the play is based on the story of Wang Guojun, an entrepreneur and philanthropist of Ningbo origin. Wang now runs a business that produces potassium sorbate, a high-tech food additive for making various pickles in China. Wang’s business has 60% share of the national market.
Guo Guoqiang, president of Ningbo Arts Troupe, played a key role in choosing Li and Guo as the heroes of the new play. Guo Guoqiang read about Wang in Ningbo Daily during his flight from Ningbo to Beijing on May 8, 2004. Inspired, he decided to make a play to tell the story. However, it would be very challenging to tell a story about real people on the stage. People in the theater circle in Zhejiang learned it the hard way. Half a century ago, an inspired playwright wrote a play based on a real event. It caused political trouble and suffering to innocent people. But Guo decided to go ahead. After all, the world had changed a great deal.
Art was the greatest challenge to Guo and his troupe. The script went through numerous rewriting, including four major ones. Guo and his scriptwriters avoided sermonizing a grand ideology. They wanted something that would appeal to the hearts of the people. Artists went to the coal mine in Heilongjiang Province where Li once lived and worked. They went down to the 600-meter-deep underground where coalminers worked. As the festival day was approaching, the artists drove themselves even harder. They worked day and night to perfect every detail. The assiduous work paid off. □