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海子的诗,带有强烈的个性抒情和浓重的乌托邦色彩,这是20世纪80年代时代精神的写照。海子的诗以北方的农村、土地为背景和根基,用反修辞的手法虚构了理想的诗歌王国,还原了语言的诗意本质,再造使人得以安身立命的诗意世界;在旺盛的生命力膨胀下却难掩忧郁以至近乎绝望的悲伤——丰收后的荒凉——前工业时代对原始农业社会的怀想。海子以个人对太阳的朝圣,希望中国新诗重归原初信仰中的“三位一体”。
Haizi’s poem, with its strong personality lyricism and strong utopia, is a portrayal of the spirit of the 1980s. Haizi’s poem uses the anti-rhetoric tactic to fictitious idealistic poetic kingdoms with the rural north of the country as the background and foundation of the land, restoring the poetic nature of language and recreating the poetic world that allows one to settle down in one’s life; under the exuberant vitality expansion, Sadness of Melancholy and Feeling Hopelessly Despairing - Desolation After Harvest - The Imagination of the Primitive Agricultural Society in the Pre - industrial Age. Haizi, a personal pilgrimage to the sun, hopes that the Chinese new poem will return to the “Trinitarian” in its original beliefs.