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油画表现语言中的隐与显的问题不仅仅局限于技法研究领域,还涵盖了对油画本体语言的研究以及当代艺术思想和东西方文化的研究。把油画表现语言中的“隐”与“显”抽离出来作为研究对象的主体,其意义就在于通过对此问题的深入探讨,梳理和明晰隐与显在当代绘画实践中的绘画价值和审美取向,并在同时探索当代油画语言的可能性。
The problem of implicit and explicit expression in the language of painting is not only confined to the field of technical research, but also covers the research on the ontology language of oil painting as well as the study of contemporary art thoughts and eastern and western cultures. The significance of separating “hidden” and “explicit” in oil-painting language from the main body of the research object lies in the following aspects: through in-depth discussion on this issue, combing and clarifying the hidden and explicit in the contemporary practice of painting Painting value and aesthetic orientation, and at the same time exploring the possibility of contemporary oil painting language.