论文部分内容阅读
城市雕塑作为一个新的美术类别,其产生乃至发展不过是近几十年的事。在这个领域中,西方的城市雕塑就其打破传统意识、突破历史模式、加强视觉冲击力等方面均趋向成熟,无疑堪为我们的楷模。城市雕塑又在作用于环境及人类生活方面有着任何美术门类都无法比拟的广泛又强烈的影响;它伫立在你的视线里,无时无刻不在潜移默化地影响着你的观念、社会的观念乃至历史的观念。 观念之于人,其作用大得不可限量。单说艺术,从古迄今左右其变化、发展的就是观念,而非某种技巧。不然怎么去理解早期人类可以做到惟妙惟肖,而曾经辉煌一时的古代埃及却又在总体上几千年都一成不变呢?观念是人为的,但有时又是人力所无法驾驭的。人类前进的世奏反映在各个方面都是同步的,即由缓慢而日新月异,观念也不例外。曾经几千年才会有大变化的观念到今天已经变得令人眼花乱,而且需要艺术家的指认和理论家的阐释才会被接受。
Urban sculpture as a new category of art, its production and even development is nothing more than in recent decades. In this area, western urban sculpture is undoubtedly the model for breaking the traditional awareness, breaking through the historical model and strengthening the visual impact. Urban sculpture has a broad and strong influence unobtainable by any art genre in its role in the environment and in human life. It stands in your line of sight and influences your concepts, social concepts and even historical concepts all of a sudden . The concept of people, its role is too great. To say that art alone has changed its course from ancient times to the present and develops ideas and not certain techniques. Otherwise, how to understand that the early human beings can be vivid and subtle, while the glorious moment of ancient Egypt, but generally remain unchanged for thousands of years? The concept is artificial, but sometimes man can not control. The progress of mankind’s world is reflected in all aspects of synchronization, that is, by the slow and rapid change, the concept is no exception. The notion that major changes have taken place for thousands of years has become confusing to today and will require acceptance by artists and theorists.