我喜欢肖邦,从很早的时候就喜欢这位隔着一个多世纪的钢琴家、作曲家。喜欢他的丰富、多情,喜欢他的缠绵、忧伤。即使面对生存危机和亡国之痛,他的方式也不是简单意义上的战斗和呐喊。他被誉为钢琴诗人,却从不鼓噪血泪横飞的誓言。他想做战士,他的手注定端不起沉重的来复枪,尽管他始终对战斗充满渴望。他的战斗激情是艺术情思的延伸,和现实的革命是有区别的。事实上,他那些充满想象力的音符和非他莫 I like Chopin, from a very early age like this composer across more than a century pianist. Like his rich, passionate, like his lingering, sad. Even in the face of the crisis of survival and the brutality of subjugation, his method is not a battle or a cry in the simple sense. He was hailed as a piano poet, but never beat the bloody oath. He wanted to be a soldier, his hand destined to end heavy gun, although he always full of desire for fighting. His fighting passion is an extension of the artistic mood, and the reality of the revolution is different. In fact, his imaginative notes and non-tales