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刘克仁近期的山水试图表现一种抽象的空间,采用了抽象与构成的手法去捕捉一种与自然相关的印象。虽然画面中一般意义的可见的山的形象已经消失,但我们仍能感受到这些视觉图式所依据
Liu Keren’s recent landscape attempts to show an abstract space, using abstract and composition techniques to capture a natural-related impression. Although the image of the visible mountain in the general sense of the picture has disappeared, we can still sense these visual patterns