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从70年代开始发展的俄罗斯当代行为艺术是“俄罗斯第二次前卫艺术运动”中一股重要的艺术潮流,并构成了90年代莫斯科艺坛上最引人瞩目的现象。40多年来,行为艺术界涌现出莫纳斯蒂尔斯基、库利克、布列涅尔、奥斯莫洛夫斯基等著名艺术家,以及“集体行动”、“巢穴”、“蛤蟆菇”、“艾提运动”等行为艺术小组。在创作方法上,俄罗斯的行为艺术同西方行为艺术有很多相似之处,如运用身体语言、利用公共空间、借助媒体舆论等。但在创作内容和目的上表现出深刻的文化内涵。艺术家们借助行为艺术表达他们对社会发展的关注、对世界文化的眷恋以及对生活和艺术本质的探索。
Russian contemporary performance art, which developed from the 1970s, is an important art trend in the “Second Avant-garde Art Movement in Russia” and constitutes the most remarkable phenomenon on the art scene in Moscow in the 1990s. For more than 40 years, the performing arts world has seen prominent artists such as Monastierski, Kulik, Breznell, Osmolywski, and “Collective Actions”, “The Nest” “Toadstool ”, “Aiti movement ” and other performance art group. In terms of creation methods, there are many similarities between performance art in Russia and western performance art, such as the use of body language, the use of public space and the media public opinion. However, it shows profound cultural connotation in the content and purpose of creation. Artists use performance art to express their concern for social development, their attachment to world culture and their exploration of the essence of life and art.