当一些艺术家以各种花里胡哨的“观念”宋装点门面时,文亚明却相当经得起诱惑。他在艺术上绝不随波逐流,无论是现代主义的鼓角铮呜,还是在现代的各种小型时尚,他均冷眼相向,但细心体察,以确定自己的文化方位。他认为,在一个拜物而无所归心日趋严重的年代,折返回传统,寻求完整而纯净的古典美,或对世人有益,更可净化自身。亚明古典风格的绘画大都以现代女性为题材。她们在亚明的笔下,均大幅度地向古典背景中退隐,恢复了女性所 When some artists decorate the facade with a variety of gaudy “ideas”, Wen Yamin is quite tempting. He is by no means obsessed with art. Whether it is modernist drumming or small modern fashion, he is cold-headed but carefully observes to determine his own cultural position. He believes that in an age of fetishism and no-heartedness, the return to tradition, the pursuit of complete and pure classical beauty, or beneficial to the world, but also to purify itself. Most of the classic paintings of Yaming are based on modern women. In the writings of Yamming, they all largely retreated to the classical background and restored the women’s position