19世纪的美国音乐家都以能到欧洲留学为幸事，特别是在他们心身都处于最容易感受音乐的训练初期，所以，他们最终只能成为他们老师的模仿者，但幸运的是，爱德华·麦克过威尔（以下简称E·麦）却是一个明显的例外。E·麦在国内接受了成为作曲家和钢琴家的两种训练。他的作曲才 American musicians in the 19th century were blessed to be able to study in Europe, especially when they were in the early stages of training in music, so they could eventually become imitators of their teachers. Fortunately, Edward Mike Weill (hereinafter referred to E · Mai) is a clear exception. E · Mak received in the country as a composer and pianist two kinds of training. His composition