论文部分内容阅读
元代少数民族文人大量涌现,前人谈及该群体词风,多以“豪放”论之,本文认为以“疏野词风”概括更为准确。在本民族文化、中原汉文化等多重文化影响下,元代少数民族词人词作意象朴素,不事雕琢,意境粗犷旷远;少用典故,直抒胸臆,质朴真率,潇洒不羁,其以创作实绩为渐衰的元词注入了新的活力。
In the Yuan Dynasty, there appeared a large number of ethnic minority literati, and the predecessors talked about the rhetoric of the group, mostly on the theory of “boldness”, which is more accurate in this article. Under the influence of multiple cultures, such as ethnic culture and the Han culture in the Central Plains, the poetic words of the minority nationalities in Yuan dynasty are simple and unconstrained, with unrestrained and unobtrusive artistic conceptions. With less allusions, they express straightforwardness, simple and unobtrusive, Real performance is the decline of the word into a new vitality.