由于传统审美习俗和自然环境的原因,在内地特别是沿海省市居于绘画正统地位、大行其道千百年的宣纸水墨走进西藏绘画的序列里,实在只是近三四十年的事情。回想上世纪70年代,在藏工作的内地画家马刚、张骏、刘原诸位所画的水墨西藏风情作品,该算是西藏水墨画的开始。1986年和2001年两次来藏采风讲学的刘国松在拉萨讲演时, Due to traditional aesthetic customs and the natural environment, it is only a matter of nearly three or four decades that traditional rice paper ink and wash ink, which has been popular in the Mainland, especially in the coastal provinces and cities, for drawing paintings for thousands of years, went into the sequence of Tibetan paintings. Recalling the works of ink-and-water Tibetan style drawn by mainland painters Ma Gang, Zhang Jun and Liu Yuan who worked in Tibet in the 1970s, it is the beginning of the Tibetan ink painting. When Liu Guosong, who came to Tibet in 1986 to take lectures in 2001 and twice in 2001, gave a speech in Lhasa,