本文以柄谷行人《日本现代文学的起源》一书中“内面”的论述,来看明治二十年开始的“文言一致”运动对于现代性概念“内面”的发现建构过程,在这一过程中,声音性文字代替汉字,从而消解了先验性概念,确立了“文”之于“意识”的透明性,从而创作出在观察外物中投射自身的“写生文”。同时,本文通过周氏兄弟关于“内面”的“立人”与“进化”的相关论述,说明在其语境下“内面”的“不证自明”性,以此反观柄谷行人对“内面”的起源过程所做的追溯。 Based on the discussion of “Inside” in the book “The Origin of Japanese Modern Literature” by pedestrianism in Aomori, this paper investigates the discovery and construction of the concept of modernity “inner face In this process, the phonetic text replaces the Chinese character, thus dissolving the transcendental concept and establishing the transparency of ”Wen “ in ”consciousness “Sketch”. At the same time, this article through the Zhou Brothers on “inside ” “Rise ” and “evolution ” of the relevant discourse, in its context “inside ” “self-evident ” In contrast, trailing Valley pedestrians to the “inside” of the origin of the tracing.