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明清天主教倚重版画书册吸引信众、宣扬教义,其在华翻刻均出自中国绘画工匠和雕刻艺人之手,故而烙上了深深的中国印记。一在中国版刻史中,福建刻书业的地位举足轻重。两宋时期,福建就已经是三大刻书中心之一,且以宗教类书籍的刻印为主要成绩,曾刻印大藏经6部、道藏1部,以及佛、道教经典《崇宁万寿大藏》《毗卢大藏》《万寿道藏》
In the Ming and Qing Dynasties, Catholics relied on printmaking books to attract believers and preach doctrines. Their engraving in China came from the hands of Chinese painting artisans and carving artists, and branded with a deep Chinese imprint. In the history of Chinese engraving, the position of engraving in Fujian plays a decisive role. During the Song Dynasty, Fujian was already one of the three major book-writing centers. Its main achievement was engraving of religious books. It had engraved six Buddhist scriptures and one Taoist scripture, as well as Buddhism and Taoist scriptures. Lu Da Cang “” Wanshou Taoist "