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水陆庵彩塑是陕西关中地区保存较为完整的明代佛教雕塑遗存,目前学术界大多专注于对其文物修复和雕塑语言方面的探究。水陆庵中的彩塑是中国核心审美价值和写意精神的体现,彩塑的特色是水陆庵最明显的标志。大多数研究者都更多地注意水陆庵的整体雕塑部分,忽视了水陆庵彩塑背景墙上的平面绘画。而这些线条和彩绘作为水陆庵彩塑中的重要造型手段,与彩塑一样具备很高的艺术价值。文章就水陆庵彩塑的线条、色彩、塑工的创造等方面进行分析。
Amphibian color sculpture is a relatively complete preservation of the Ming Dynasty in Shaanxi Guanzhong Buddhist sculpture remains, most of the current academic community focused on its relics and sculpture language exploration. The colorful landscapes in the amphibian are the embodiment of China’s core aesthetic value and the spirit of freehand brushwork. The characteristic of the plastic sculpture is the most obvious sign of the amphibian. Most researchers are paying more attention to the whole sculpture part of the amphibian, ignoring the flat painting on the wall of the amphibian painted plastic background. These lines and painting, as an important modeling element in the amphibian colorful painting, have the same high artistic value as colorful paintings. The article on the amphibian colorful plastic lines, color, plastic manufacturing and other aspects of the analysis.