艾丽丝·门罗的短篇小说大多以现实生活为题材,她对加拿大的劳动阶层和中产阶级有着深刻的洞察。本文试从门罗“灰姑娘”的人生经历着手,阐述她作品中的“乞丐女”和“帮佣女”角色形象,体现她的阶级意识。门罗笔下的“乞丐女”形象偏离了传统的“灰姑娘”模式,在一定程度上将被“灰姑娘”话语体系所遮蔽的社会政治语境加以强化,凸显了身份和阶层属性。另外,门罗通过“帮佣女”的贫穷叙事,作为底层反击的武器,批判了社会上存在的等级差异。 Alice Monroe’s short stories, mostly based on real life, have deep insights into the working class and the middle class in Canada. This article attempts to start from the life experience of Monroe and Cinderella, and expounds the image of her role as “beggar woman” and “helper woman” in her works, reflecting her class consciousness. The “beggar woman” image of Monroe deviates from the traditional “Cinderella” model and reinforces the social and political contexts obscured by the “Cinderella” discourse system to a certain extent, highlighting the identity And class attributes. In addition, Monroe criticized the hierarchy differences existing in society as a poor counter-attack weapon through the poor narration of “mercenary women.”