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西方的死亡哲学观经历了漫长的发展演变,在西方特定的历史时期里,随着人们意识形态的转变,对待“死亡”的态度也各不相同,19世纪浪漫主义时期的死亡哲学观也不例外,穆索尔斯基作为19世纪浪漫主义时期不顺应时势力的、具有创新性的作曲家,其作品中的死亡观反映了19世纪的“意志主义”的死亡哲学观点。本文通过对西方死亡哲学观的历史概述,结合穆索尔斯基声乐套曲的代表作《死之歌舞》,从而找出之间的契合点,从而对穆索尔及的死亡观进行哲学观探析。
The concept of death philosophy in the West has undergone a long period of development and evolution. During the specific historical period in the West, as people’s ideology changed, attitudes towards “Death ” also varied. The philosophy of death in the 19th century romanticism It is no exception that Mussorgsky, an innovative composer who did not conform to the times power in the romanticism of the 19th century, and the death view in his works reflect the philosophy of death philosophy of 19th-century “willism.” This article, through a historical overview of the philosophy of death in the West, combined with the song and dance of death by Mussorgsky’s suite of vocal music, finds out the point of convergence, and makes a philosophical analysis of Mussol and his death view.