清初对待遗民除笼络与压制外,对遗民形象的重新塑造也是其政策的重要一环。姜埰即是典型案例,从其子编辑的《姜贞毅先生挽章》中可具体窥知其身后形象的重塑过程。姜蜾生前在诗集和自著年谱中极力建构故国孤臣的遗民形象。逝世后不久,民间持不同政治立场的文入围绕如何评价姜埰展开了激烈的辩论,遗民们着重渲染其遗民形象,而认同清朝的文人则着力将姜埰塑造为忠孝典型。双方所持观点不同,切入的角度也大相径庭。清朝官方为了巩固统治的需要,先后以折槛谏臣和人伦师表的名义对姜蜾建祠表彰,姜埰的身后形象在清朝由此定于一尊。在姜埰形象变迁的背后,呈现着民间舆论与政治权力的角逐,从此亦可见清初文学生态之一斑。 In the early Qing Dynasty, the treatment of survivors in addition to winding up and repression, the remodeling of the image of the descendants is also an important part of its policy. Jiang Tsai is a typical case. From his edited “Mr. Jiang Zhenyi’s Handbook”, we can get a glimpse at the remodeling process of his image. Before Jiang’s death, he devoted great efforts to constructing the image of his survivor in his poetry anthology and the book of his own age. Shortly after his death, the civil society held different political positions in the context of how to appraise Ginger’s fierce debate. The descendants focused on rendering the image of their descendants while those who agreed with the Qing dynasty focused on molding Jiang as a typical loyalty and filial piety. The views held by the two sides are different and the perspectives of entry are also very different. In order to consolidate the need of ruling, the Qing government officially commended Jiang 蜾 ancestral hall in the name of the barricaded remonstrance officials and human relations teachers. Behind the change of Jiang Zai’s image, there is a competition between the public opinion and the political power. From then on, it can be seen that the literary ecology of the Qing Dynasty was marked.