虽然我并非陆俨少教授的研究生,当然也不敢妄托门生弟子。但自到浙江美院以后,与陆先生朝夕相见,谊同师生,承他错爱,十分愧(耐心),当时曾有过一个心愿,想通过我的粗拙之笔,为陆老的艺术作一较有深度的概括与研究。当时本意是想专谈陆俨少先生的书法——一则我是搞书法篆刻专业的;二则关于陆俨少先生的绘画已有不少人有过介绍与研究,而对他的书法却重视不够,有必要来做一做弥补工作。但在我与陆老的深谈中,他还是言不离他的山水画,故尔专门选取对他的书画作比较的角度,我想,这样的角度,也许以前的陆俨少绘画研究者也未必多有涉及的。能为关心陆老的爱好者们多提供一些新的思考线 Although I am not a graduate student Lu Yan-shan, of course, not dare to deny disciples. However, since he went to the Academy of Fine Arts in Zhejiang Province, he met Mr. Lu on a day-to-day basis with teachers and students. He was very ashamed (patiently) with teachers and students. He had had a wish at that time, Art for a more in-depth summary and research. At that time, my intention was to talk about the calligraphy of Mr. Lu Yanshao specifically - one was my specialty in calligraphy and seal cutting; the other two had a lot of people who had introduced and studied the painting of Mr. Lu Yanshao; Not enough attention, it is necessary to make a make up work. However, in my deep discussion with Lu, he still did not leave his landscape paintings, so he specifically chose his painting and calligraphy for a comparative perspective. From this perspective, perhaps the former Lu Yanshao painting researchers are not necessarily Involved. Can provide some new ideas for lovers who care about land