鲁迅作为中国现代文化的奠基者,在众多文化领域都显现了他的构建意识,其中包括中国现代书籍装帧艺术。鲁迅虽然不是专业的装帧设计家,却是一位勤勉的实践者,他将自己的美术思想投射在书籍装帧实践中,表达了对中国美术精神的高远追求。他是我国现代书籍装帧艺术的开拓者和倡导者。鲁迅求精于封面设计、版式选择、书籍装订等,有意无意间开创了中国现代书籍装帧的新局面。一、鲁迅的美术观:新民族精神鲁迅在中国书籍装帧上的审美追求来自于他的美术思想观念。鲁迅的美术观是一个动态发展的过程。他从小就喜爱美术和绘画,这种私好使他形成了独树一帜的美术观。早年鲁迅任职教育部的时候,在蔡元培的倡导下从事美育普及工作,并在教育部举办的“夏期美术讲习会”中担任题为《美术略论》的讲授。这期间鲁迅发表了《拟播布美术意见书》,系统而简约地阐述了他的美术 As the founder of modern Chinese culture, Lu Xun showed his constructive consciousness in many fields of culture, including the Chinese modern book binding art. Although Lu Xun is not a professional binding designer, he is a diligent practitioner who projected his art thoughts in book binding practice and expressed his lofty pursuit of Chinese art spirit. He is the pioneer and advocator of the modern book binding art in our country. Lu Xun refinement in the cover design, layout selection, book binding, etc., intentionally or unintentionally created a new situation in China’s modern book binding. First, Lu Xun’s view of art: the new national spirit Lu Xun’s aesthetic pursuit of Chinese book binding comes from his ideas of fine art. Lu Xun’s art concept is a dynamic process of development. He loved art and painting since he was a child, which made him form a unique art concept. In the early years of his career as a member of the Ministry of Education, Lu Xun was engaged in the popularization of aesthetic education under the advocacy of Cai Yuanpei, and taught in the “Summer Art Seminar” held by the Ministry of Education as “A Brief Introduction to Fine Arts.” During this period, Lu Xun published the “Proposal for Proposing to Broadcast Art,” systematically and simply expounded his art