回顾一部中国现当代小说史,我们就不能不承认,以“土改”和稍后的“农业合作化”为主要表现对象的文学作品,数量并不在少数。从起初周立波的《暴风骤雨》、丁玲的《太阳照在桑干河上》、赵树理的《李家庄的变迁》,到后来“十七年”期间柳青的《创业史》、赵树理的《三里湾》、周立波的《山乡巨变》,一直到“文革”后新时期以来张炜的《古船》、刘震云的《故乡天下黄花》、陈忠实的《白鹿原》、莫言的《丰乳肥臀》与《生 Looking back at the history of a Chinese contemporary novels, we can not but acknowledge that there are not many literary works that mainly target audiences with “land reform” and later “agricultural cooperation.” From the beginning of Zhou Libo’s “Storm”, Ding Ling’s “The Sun Shines on the Sanggan River”, Zhao Shuli’s “Change of Lijiazhuang”, and later “Seventeen Years” Liu Qing’s “Business History”, Zhao Shuli “Sanliwan Zhou Libo’s ”mountain change“ until ”the Cultural Revolution“ since the new era of Zhang Wei’s ”ancient ship“, Liu Zhenyun’s ”Hometown Huang Hua“, Chen Zhongshi ”White Deer“, Mo Yan’s ” Hip “and” students