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一1931年5月一个阴郁的日子,鲁迅先生来到上海《一八艺社习作展览会》现场,一幅幅左翼青年美术家的木刻作品展现在他的眼前,当他看到20岁的青年汪占非创作的哀悼柔石等人的作品《五死者》时,他的神情显得十分凝重。那些牺牲者们大都是鲁迅先生的学生,在专制的枪口下,他们一个个倒下,为了民主与自由,他们在黑暗的铁屋中呐喊,最终成为惨烈的牺牲者。鲁迅先生在1933年曾满怀悲愤的心情写下了《为了忘却的纪念》,即是对这五死者柔石、胡也频、白莽、冯铿和李伟森的悼念,同时也是对专制政府的控诉。青年木刻家汪占非的《五死者》掀起了鲁迅先生心底的波澜。鲁迅先生在作品前沉默许久后,便将《五死者》等一系列青年木刻家们的作品购藏。此后,当展览画册出版之际,汪占非撰写了《卷首语》,并请鲁迅先生题词。鲁迅先生于5月22日写下了《一八艺社习作展览会小引》:
On a gloomy day in May 1931, Mr. Lu Xun came to the scene of the “18 Arts and Social Work Exhibition” in Shanghai. A collection of woodcut works by young artists of the left left his eyes. When he saw the 20-year-old youth Wang Zhan non-creation of mourning works of Rou Shi and others, “five dead,” his look is very dignified. Under the authoritarian muzzle, most of those who were sacrificed were students of Mr. Lu Xun, one by one they fell, and for democracy and freedom they shouted in the dark iron house and finally became a tragic sacrifice. Mr. Lu Xun wrote a memorandum for forgetting in 1933 when he was full of grievances, a tribute to the five dead, Roushu, Hu Yifu, Bai Mang, Feng Keng and Li Weisen, and a complaint against the authoritarian government . Wang Zhanfei’s young five-year-old woodcutter set off a wave of heart of Mr. Lu Xun. After a long silence before his work, Mr. Lu Xun bought the works of a series of young woodcutters such as “Five Dead”. Since then, when the exhibition book was published, Wang Zhanfei wrote The First Manchurian, and asked Mr. Lu Xun inscription. On May 22, Mr. Lu Xun wrote a small quotation of "18 Art Expositions and Exhibitions: