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《夜景》小提琴独奏曲,是作曲家桑桐作于1947年初。乐曲通过对月夜湖边,夜莺哀鸣的描绘衬托出诗人内在的悲吟意境深远悠长。采用半音半音化的无调性手法,并插用四五度结构的和声,是我国作曲家使用无调性手法并加以民族化的最早尝试。《夜景》1948年由章国灵首演于上海,发表于1981年《音乐创作》作品音乐会上,由司徒华城再次演奏。
“Night” violin solos, composer Sang Tong was made in early 1947. Music through the moonlight lake, nightingale whine depicting the poet’s inner meaning of sadness deep and long. It is the earliest attempt of Chinese composers to use non-tonality and nationalize the non-tonality technique of semitone semitone and the harmony of four and five degrees. Night Scene was premiered by Zhang Guoling in Shanghai in 1948, and was presented at the 1981 Concert of Music Creation concert, which was performed by Stuart Huacheng again.