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纵观近年中国的歌剧业态,北京国家大剧院因其区域地位、经济支撑的特殊性而迅速崛起,已经成为国内歌剧界的文化地标。同时,各大省市的歌剧创作生产出现了一种多极争锋的局面。首先看广州大剧院,近年开启了经典剧目的国际化合作模式,新近开幕的天津大剧院亦紧随其后。此外,国内的多家歌剧院,如重庆市歌剧院、山东歌舞剧院、湖北省歌剧舞剧院、福建省歌舞剧院等,近年也推出了不少原创作品。再如,陕西歌舞剧院制作的大汉三部曲——《张骞》、《司马迁》和《大汉苏武》,江苏演艺集团即将推出的《大运河》等,国内歌剧业态可谓咄咄逼人。
Throughout the opera scene in recent years in China, the National Grand Theater in Beijing has rapidly emerged as a result of its regional status and the particularity of its economic support. It has become the cultural landmark of the domestic opera industry. At the same time, opera production and production in major provinces and cities appeared in a multi-polar situation. First of all look at the Guangzhou Grand Theater, in recent years opened a classic repertoire of international cooperation model, the newly opened Tianjin Grand Theater also followed. In addition, many domestic opera houses, such as Chongqing Opera House, Shandong Song and Dance Theater, Hubei Opera and Dance Theater, Fujian Provincial Song and Dance Theater, etc., also introduced many original works in recent years. Another example is the opera song and dance theater in Shaanxi produced three trilogy - “Zhang Qian”, “Sima Qian” and “Han Su Wu”, Jiangsu Performing Arts Group will soon launch the “Grand Canal”, the domestic opera format can be described as aggressive.