一、引言中国的经济形态与社会现状正经历前所未有的急速变化,在这样日新月异的大时代变迁中,摄影以其特有的客观记录功能成为承载这一历史时刻的重要手段。但在当代纪实摄影中,时常出现摄影者的拍摄观念与手法过于陈旧、描述语言过于主观、描述主体过于空洞……导致纪实类摄影作品缺乏客观性和感染力,观众很难产生情感共鸣与代人感。二、宏观叙事中的思维定式我们在新中国成立之初经历了艰苦卓绝的革命过程,这一过程凝聚成了我们的国家记忆。随着时间的 I. INTRODUCTION China’s economy and society are experiencing an unprecedented rapid change. In such a rapidly changing era, photography has become an important means of carrying this historical moment with its unique objective recording function. However, in contemporary documentary photography, there are often obsolete photographer concepts and techniques, description language is too subjective, description of the subject is too empty ... ... led to documentary photography lack of objectivity and appeal, the audience is difficult to produce emotional resonance and generation Human feeling. Second, the stereotypical thinking in macro-narrative We experienced the arduous revolutionary process at the beginning of the founding of New China, and this process has become our national memory. with time