作为现代大家,来楚生的书法、绘画以及文字印都已经有了相当多的研究成果,风格、取法以及影响都已经被充分地研究过了,但是来楚生成就最高的篆刻却一直缺乏深入地研究,以往的研究常流于表象和感受,笔者认为来楚生的篆法带有着浓厚的隶书意味,这也是其篆刻风格独特性的重要根源。钱君匋曾评价来楚生:“来氏刻印七十岁前后所作突变,质朴老辣,雄劲苍古,未曾有。虽二吴(吴让 As a modern person, there have been quite a lot of research results on the calligraphy, painting and text printing of Chu Chusheng. The style, method and influence have been fully studied, but the highest carving of Ch’en Chu has been lacking in depth In the past studies, the researches often flow on the appearance and the feeling. The author thinks that Chu Sheng ’s sealigraphy method has a strong official script meaning, which is also an important source of the uniqueness of his seal style. Qian Jun 匋 had commented to Chusheng: ”to mark the mutation before and after the seventy years old, plain old spicy, fresh vigor Canggu, did not have. Although two Wu (Wu Jean