论文部分内容阅读
在叙事形式上,《夹边沟记事》模糊了纯艺术形式和大众艺术形式的界限,小说虚构与再现现实并行不悖。杨显惠无疑是一个有着伦理信仰的作家,他的愤怒来自奴役力量对个体生命尊严的践踏以及事后的若无其事,他要用自由反抗奴役,用记忆对抗遗忘。作者尽管采取平和克制的情感姿态,其深刻的批判精神仍然是不容忽视的存在,但这种批判精神的指向并不是知识分子,对知识分子当时的特殊境遇作者有大悲悯。
In the narrative form, “clip side ditch memorabilia” blur the boundaries of the pure art form and the popular art form, fiction fiction and reproduce the reality go hand in hand. Yang Xianhui is undoubtedly a writer with ethical beliefs. His anger comes from the trampling of the enslavement of individual lives by the enslaving forces and nothing happens afterwards. He wants to use freedom to resist slavery and confront memory with memory. Despite its calm and restrained emotional stance, the author’s profound critical spirit is still an indispensable existence. However, this critical spirit is not directed at intellectuals and has great compassion for the author of the exceptional circumstances of the intellectuals at that time.