一 当我们拿广东的戏剧状况与北京、上海作比较的时候,除了强调创作本身的薄弱之外,更多的时候,我们还会强调广东的戏剧观众素质不如京、沪,结论是广东戏剧市场赖以生存的观众土壤薄弱。于是我们开始打开地域壁垒、敞开胸怀,以开放的姿态实行“拿来主义“,或移植剧目,或引进演出,或租借人员。所有 When we compare the drama situation in Guangdong with those in Beijing and Shanghai, we emphasize that the audience quality of the theater in Guangdong is not as good as that of Beijing or Shanghai except when we emphasize the weakness of writing itself. The conclusion is that in the Guangdong theater market The audiences who survive are weak. So we started to open the barriers to geography, open our minds, openly adopting “fetishism,” or transplanting plays, introducing performances, or renting people. all