风景画作为当代中国油画的一部分,它的进程,它所取得的成绩和存在的问题,应该说大体上和人物画相同,都存在着双重的“任务”:继续学习,研究西方古典和现代油画的优长,以完善只有一百多年历史的中国油画艺术;继续从本民族传统文化艺术中吸收养料,赋予这外来画种以更鲜明的民族特色。这是从宏观上说的,其实,具体到每一位艺术家,也不外乎会作如此思考和实践。从表面上看,这两项任务似乎互相抵触,不能融为一体,但仔细研究,两者之间存在着密切、不可分割的联系。不仅是因为从艺术创造的高度看,外来油画和中国传统绘画虽然表现媒介、手 As a part of contemporary Chinese oil painting, landscape painting, its progress, its accomplishments and existing problems should be roughly the same as portraits, both of which have dual “tasks”: to continue studying and studying Western classical and The modern oil painting is excellent and long, so as to perfect Chinese oil painting art, which is only one hundred years old. It will continue to absorb nourishment from its traditional culture and arts and give it a distinctive national character. This is macroscopically speaking. Actually, to every artist, there is nothing less than thinking and practicing this way. On the surface, these two tasks seem to be incompatible with each other and can not be integrated. However, careful examination shows that there is a close and indivisible connection between the two. Not only because of the height of artistic creation, foreign oil paintings and traditional Chinese paintings, though expressing medium,