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无论有多少异议,我们都不得不承认这样一个结论,二十世纪是中国历史上变化最大的时代,是一个最难评判是非得失成败顺逆的历史时期。尤其对于人人都能置喙而又不因此而生祸福的议题更是如此。而作为中华文化经典样式之一的国画便是这样一个议题。
No matter how many objections we have, we all have to admit the conclusion that the twentieth century is the era of the greatest change in Chinese history and the historical period in which the most difficult to judge is the pros and cons of success or failure. This is particularly so with the issue of the good and the bad for everyone. As one of the classic Chinese culture, traditional Chinese painting is such an issue.