董其昌在论述绘画“士气”时曾说:“士人作画,当以草隶、奇字之法为之。树如屈铁,山似画沙,绝去甜俗蹊径,乃为士气。”[1]体现“士气”不仅仅是以书入画,其书则要以“草隶、奇字”为之。“草隶”无需赘言,此处董其昌所言“奇字”即传抄古文在明代的一个常见名称。董氏崇尚“奇字”之法,可见其对传抄古文有一定的研究。但在他流传的作品中以楷、 In his discussion of painting “morale”, Dong Qichang once said: “When a man paints a painting of grass, . ”[1] Reflects “ morale ”is not just a book into the painting, the book should be “ straw, odd characters ”for it. “Straw” Needless to say, where Dong Qichang said “odd word ” that is, a common name copied ancient prose in the Ming Dynasty. Dong’s advocate of “odd characters ” method, we can see its copy of the ancient prose has some research. However, in his circulating works to Kai,