2015年8月,随着格非的《江南三部曲》入围茅盾文学奖,一时间,80年代登上当代文坛的格非成为了再度备受关注的作家。由此,评论界除了对《江南三部曲》进行解读研究外,对于格非以往作品的研究,甚至是这些研究的再研究,都自然成为评论界和研究者再度关注的话题和内容。而笔者去翻阅90年代以来对格非小说的研 In August 2015, with Gefei’s “Jiangnan Trilogy” shortlisted for the Mao Dun Literature Prize, for a time, Gefei, who went to the contemporary literary world in the 1980s, became an again-acclaimed writer. As a result, apart from the interpretation of the Jiangnan Trilogy, the critics have naturally become the topic and content of the critics and researchers’ attention once again in the study of Gefei’s previous works and even the re-research of these researches. However, I went to read the study of non-fiction since the 1990s