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本文通过对流传到日本的两件作品《药山李翱问答图》及《角鹰图》的研究,认为《图绘宝鉴》称马公显是马远伯父是错误的,而应以《画继补遗》所记载,马公显是马远之孙为正确,故他是“佛像马家”的最后传人。马公显与梁楷、牧溪是同时代人,他们的作品流传到日本,与南宋时期禅宗的发展,即中日僧侣频繁往来有密切关系。马公显的创作使用水墨“减笔”技法,除了禅宗题材外,他也画山水花鸟,代表了当时的新风尚,但却遭到了文人们的批评排斥,故牧溪、马公显的作品早已在中国本土绝迹,而在异国他乡生根开花,产生了深远的影响。
Based on the research of two works “Yao Shan Li Ao Q & A” and “Horn Eagle Chart” that spread to Japan, this paper argues that “Tu Bao Bao Jian” said that Ma Gong- Following Addendum “records, Ma Gongxian is the Sun is the right horse, so he is ” Buddha Ma "the last descendant. Ma Gongxian and Liang Kai and Mu Xi were contemporaries. Their works spread to Japan and are closely related to the development of the Zen in the Southern Song Dynasty, namely the frequent exchanges between the monks in China and Japan. In addition to the theme of Zen, he also painted landscape flowers and birds, representing the new trend of the time, but was criticized by literary people, so the works of Mu Xi and Ma Gongxian It has long since disappeared in China and has taken root in other foreign countries and has had a profound impact.