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工业生产、艺术作品与法国美食,这三样通常不着边际的东西,在“八十坐”却很自然地结合在一起,这本身就类似艺术创作,饶有趣味。八十坐在大山子798艺术工厂内,主人邵帆,这些都让人不再陌生。2003年“798”三个数字在各类媒体频频露脸,它迅速地完成了从一个工厂到被人发现,再到被艺术地改造为不同用途的 LOFT 空间的过程,现在已经成为京城文化艺术界的一个重要基地。这个快速与喧嚣的过程,得益于工厂本身的空间——整个空间结构大气舒朗,它具有明显的包豪斯风格,基本上
Industrial production, works of art, and French cuisine, these three kinds of things that are often far-fetched, are naturally combined in the “80s sit,” which in itself resembles artistic creation. Eighty sat in Dashanzi 798 Art Factory, owner Shao Fan, these are no longer strangers. In 2003, the three digits of “798” appeared frequently in various media. It quickly completed the process of discovering from a factory to being transformed into a LOFT space that was artistically transformed into different uses. Now it has become the capital of Beijing. An important base for the art world. This rapid and embarrassing process benefits from the space of the factory itself—the atmosphere of the entire space structure is sparse, and it has a distinct Bauhaus style.