鉴定佛像的真伪,可以从造型样式、质地、工艺制作等各方面进行,除了这些看得见、摸得着的方法以外,人们往往忽略了从作品的历史环境来设身处地地想问题,故而使伪作蒙混过关。实际上有些伪作即使不用从外表判断,而是从复原它的历史环境也可判断真伪。例如某拍卖行请我去看一件铜鎏金制作的唐代样式的反弹琵琶像,是单尊独立像,高约二十几厘米,样式生动,外表红斑绿锈也还说得过去,似可迷惑人。 Identification of the authenticity of Buddhist statues, from the modeling style, texture, craft making and other aspects, in addition to these visible and tangible methods, people tend to overlook the historical environment from the work to put themselves in the position of the problem, so that Pseudo-Mongolian cross the border. In fact, even if there is no need to judge from appearance, but also from the restoration of its historical environment can also determine the authenticity. For example, an auction house asked me to see a bronze 鎏 gold production of the Tang Dynasty style rebound lute like a single statue of independence, about twenty centimeters high, vivid style, the appearance of red rust is also plausible, seems to be confused people.