我国的皮影艺术造型,早在宋代已基本定型,其后由于各地雕刻艺人们对艺术的理念及追求的不同,流派纷呈,但就其形制上的原理概念基本一致,只是风格不同罢了,大体上都是以五分侧面为主的平面造型,采用多视点的二度造型方式.就全国流传的影戏而言,原则上可分为三大影系,即滦州影系、秦晋影系、闽越影系.尽管各地影戏造型各具风格,或粗犷古朴,或玲珑剔透,都是某一区域文化风俗及民族审美情趣的凝聚.无论那一流派的皮影,都受到宋代影戏的影响,他们造型构想皆处于民间绘画、佛像雕塑等传承作用,运用不同雕刻刀线、绘线来表达人和物的形体,巧妙地运用我国传统的散点透视法,以及大胆地夸张、移位、变形手法,把物象形成立体感,以达到观赏的艺术效果.这种独特的装饰性艺术造 China’s shadow art modeling, as early as the Song Dynasty has been basically stereotypes, and thereafter as the carving artists around the concept of art and the pursuit of different genres, but the concept of the basic principles of their formation are basically the same, but different styles of fills, in general Are five-sided side of the main plane shape, the use of multi-point of view of the second modeling approach to the spread of the movie, in principle, can be divided into three major films, namely Luanzhou Film Department, Qin Jin Ying Department, Fujian The more the film series.Although the various styles of theater around the various styles, or rough simple, or exquisitely carved, are a regional cultural customs and national aesthetic taste of the cohesion .Whether the school’s shadow, are subject to the influence of the Song Dynasty movie, their modeling ideas They are all used for inheritance of folk painting and statues of Buddha statues. They use different engraving lines and lines to express the shapes of people and objects. They skillfully use the traditional scatter-perspective method in our country, boldly exaggerating, shifting, Three-dimensional sense of the object to achieve the artistic effect of ornamental This unique decorative art