编辑部的同志给我出了个“90年代的儿童电影”的题目,我体会,那意思无非是要我说一说儿童电影的现状和对它的期望。我想到,80年代末、90年代初这三四年,是儿童电影最引人注目的几年,也就在这几年,儿童电影被人们称誉为“一片绿洲”。而我,则总期望儿童电影能让孩子们喜欢,对孩子们有益。所以,就写下了上面的题目:绿洲·乐园。一这三四年生产的儿童片,就我看到过的而言,有得到上上下下各界人士称赞的《豆寇年华》、《烛光里的微笑》,有被评论家们认为即使 The comrades of the editorial department have given me a title of “Children’s Movies of the 1990s.” I understand that it means nothing more than asking me to talk about the current situation and expectations of children’s films. I think that in the late 1980s and early 1990s, these three or four years were the most dramatic years for children’s films. In these few years, children’s films were hailed as “an oasis.” And I always expect children’s movies to make them like and good for children. So, wrote the above subject: oasis paradise. For the children’s films produced in these three or four years, as far as I can see, there are “Bei Kou Nian Hua” and “The Smile in a Candlelight” which have been praised by all walks of life from top to bottom. Some critics think that even if