作为欧普艺术创始人之一的英国女艺术家布里奇特·赖利,其作品充满对错觉的迷恋,她在架上艺术的范畴上,充分发挥了光的韵律感和流动感,造成一种脱离架上本体的空间感。赖利的欧普艺术分别经历了20世纪60年代初期的黑白两色时期、70年代的色彩时期以及80年代至今的空间感削弱时期。关于赖利作品语言形式的逻辑来自何处又如何发展,成为本文主要讨论的问题。 Bridget Riley, a British female artist who is one of the founders of Op Art, is full of fascination with illusion. She gives full play to the rhythm of light and the sense of mobility in the framework of art on the shelf, resulting in a kind of detached The sense of space on the body frame. Riley’s Op Art has experienced periods of black and white in the early 1960s, colors in the 1970s, and periods of impaired sense of space in the 1980s, respectively. As to how the logic of the language form of Riley’s works comes from, it becomes the main issue discussed in this article.