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一直很喜欢犯罪题材的电影,尤其迷恋于那些有情有义、盗亦有道的江洋大盗。曾有心理学家说过:犯罪题材电影是现代工业社会机械体制压力下,人们在精神领域寻求逃避的一个出口,与其说跟犯罪有关,不如说跟“浪漫”有关。我觉得很有道理。这类电影往往弱化了犯罪事件的社会危害性,转而探讨团队之间的兄弟情义、如影随形的警方追捕、孤绝重围的生死厮杀,还有难舍难分的儿女情长,这些危险却又浪漫的元素让我们享受和体验着现实生活中不可能经历的东西,而一旦一部犯罪题材电影能让你心甘情愿地站到罪犯那一边,那就意味着它成功了。
Has always loved movies of criminal genres, especially infatuated with Jiang Yang thieves who are righteous and stolen. There have been psychologists have said that: crime film is a modern industrial society under the pressure of the mechanical system, people are seeking to escape in the spiritual area of an exit, rather than with the crime, rather than with the “romantic” related. I think it makes sense. Such films often weaken the social harmfulness of criminal activities, and instead explore the fraternity between teams, such as shadowy police chase, lone life-and-death fighting, and indulgent children and adolescents, these dangerous but The romantic element allows us to enjoy and experience what we can not possibly experience in real life, and once a criminal movie makes you willing to stand on the criminal side, it means it succeeds.