我们现在常说的“新希腊电影”一词,最早由影评人福提斯·阿莱斯鲁使用,它有三个不同于主流商业电影的特点:一,在主题上,这类影片关心当代希腊现实,抑或国家近代政治压抑和冲突的历史;二,在美学上,由于军人独裁的七年里希腊政治纷乱,美国施加的影响逐渐增长,一般主流电影重说故事,而新希腊电影则长于呈现欧洲艺术电影的人文精神,形式上深受战斗电影与实验电影的影响;三,这类影片大都出自于电影人自发的创作热忱,采用独立制片的拍摄方式。 We now often say that the term “New Greek Cinema” was first used by film critic Gettys Aleshiro, and has three characteristics that are different from those of mainstream commercial films: First, on the theme, such films are of interest The contemporary Greek reality, or the history of the political repression and conflict in the modern state of our country. Secondly, in the aesthetics, due to the political turmoil in Greece in the seven years of military dictatorships, the influence exerted by the United States has gradually increased. The general mainstream films emphasize stories while the New Greek films Longer than the humanistic spirit of presenting the European art film, and is formally influenced by the battle film and experimental film. Thirdly, most of these films are produced by the spontaneous creative enthusiasm of filmmakers and adopted the independent filming method.