爱,还是不爱,在大众,是如何面对某个具体情感的问题;在仓央嘉措,则是一个宗教的形而上终极问题。一部舞剧,直奔这样的终极问题,并且其艺术触角实实在在抵达了深处,在中国舞剧舞台,乃至世界舞剧舞台,极少见。中央民族歌舞团2015年年末隆重推出的舞剧《仓央嘉措》,在这极少见中。多少翻家底搞展览亮豪华应景而生的舞剧,来了去了,过眼烟云。而《仓央嘉措》,站在普遍人性的终极关怀之上,给出了不同凡响且至为深切的艺术 Love, or not love, in the public, is how to deal with a specific emotional issues; in the central Gyatso, it is a religious metaphysical ultimate problem. A dance drama went straight to such an ultimate problem, and its artistic tentacles have really reached the depths. It is very rare in the stage of Chinese dance and even the world of dance. The National Dance and Dance Company of the Central People’s Republic of China announced the grand ballet “Cangyang Gyatso” at the end of 2015, which is extremely rare. How much flip home exhibition bright luxury scene born dance drama, came to, over eye. The “Tsangyang Gyatso” stood above the ultimate concern of universal humanity and gave an extraordinary and profound art