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在莫言的中篇小说《牛》与《透明的红萝卜》中,常常有大篇幅的主人公心理描写,使主人公强烈的自我意识贯穿全文,本文对这种自我意识进行了剖析。其一,主人公形象的确立不偏重于外貌、性格等的刻画,而是将自我意识作为主人公形象塑造的艺术重心。其二,自我意识拉开了主人公与其他人物之间的距离,使主人公在一定程度上成为故事的旁观者与见证者,带有一种客观性特征。
In Mo Yan’s novella “Cattle” and “Transparent carrot”, there is often a large length of the hero’s psychological description, so that the protagonist’s strong sense of self throughout the entire text, this paper analyzes the self-awareness. First, the establishment of the image of the protagonist does not emphasize the portrayal of appearance and personality, but rather focuses on the artistic center of self-consciousness as the image of the protagonist. Second, self-awareness opened the distance between the protagonist and other characters, making the protagonist a spectator and witness of the story to a certain extent, with an objectivity characteristic.