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新安画派自清代形成以来,相对于其他画派显得有些淡泊和孤寂。其艺术家的主要表现对象是黄山及徽州地区的风物、人文,由于这些艺术家多为明代遗民,故其作品具有一种『隐士』的意味。这些人品、气节超逸的画家以真山真水为描绘对象。新安画派的作品多表现出高古、秀逸、清雅之气,与清初被程式化了的『四王』形成鲜明的对比。2014年是弘仁去世350周年,也是清军入关370年,刚刚过去的2015年又是查士标诞辰400周年。借此,特组织本期关于『新安画派』的专
Since the formation of the Qing dynasty, the Xin’an School of Painting has become somewhat indifferent and lonely with respect to other schools of painting. The artist’s main object of performance is the landscapes and humanities in Huangshan and Huizhou areas. Since these artists are mostly of the Ming dynasty, their works have a “hermit” meaning. These characters, elegant and elegant painter to really mountains and rivers as the object of painting. The work of the Xin’an School of Painting, which is characterized by high ancient times, elegant showmanship and elegant elegance, is sharply contrasted with the stylized “Four Kings” in the early Qing Dynasty. 2014 is the 350th anniversary of the death of Hongren and also the 370th anniversary of the entry of the Qing Army. The year 2015 marked the 400th anniversary of the founding of the People’s Republic of China. As a result, the special organization this period about “Xinan School of Painting”