文章涉及两个主要概念和实际内容:道教音乐体系、道教音乐流派。道教音乐体系于文中的概念就是,道教音乐的总体容积和容量。道教音乐流派,则是建立在道教音乐体系这一基础之上的大略划分,实指经过不同历史时期的发展演变,道教各门各派逐步统归、界分为正一、全真两大派别之后而各有其归属的两大音乐部分,即正一道音乐与全真道音乐。基于上述概念所涉正一道、全真道两大流派之音乐表象,文章从该两大流派的形成及其特征,道教音乐的地域分布,道教体系与道乐体系等方面作了描述、归纳和分析。 The article covers two main concepts and the actual content: Taoist music system, Taoist music genre. The concept of Taoist music system in the text is that the overall volume and capacity of Taoist music. Taoist music genre, is based on the Taoist music system on the basis of this division, refers to the development and evolution of different historical periods, all walks of life Taoism gradually reunification, the community is divided into two positive and two true factions After that, there are two major parts of music that belong to them, that is, one piece of music and one piece of authentic music. Based on the concepts above and below, the musical appearances of the two genres of Quanzhen and Quanzhen are described and summarized from the formation and characteristics of the two genres, the geographical distribution of Taoist music, the Taoist system and the music system. analysis.