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音乐表演艺术是一种审美活动,是一种人通过自身的生命活动而获得快乐,获得美感的活动。身体是音乐表演活动的基本媒介和载体。人们或是以身体作乐器(声乐);或是以身体操作乐器(器乐),通过身心一体的,气韵生动的生命活动抒发情感,娱人娱己。作为音乐表演艺术理论总结的我国古代乐论中有丰富的关于身体活动的论述与身体美学的资源。本文基于中国古代美学对身体性的自觉,从身体美学的视角对我国古代乐论中有关身体的指称;身心一体的身体实践活动;感物生情,声以情为母诸问题进行探讨。
Musical performance art is a kind of aesthetic activity, which is a kind of activity that people get happiness and beauty through their own life activities. The body is the basic medium and carrier of music performance. People either use their bodies as musical instruments (vocal music) or operate musical instruments (instrumental music) as a body to express their emotions and entertain people through the vivid life activities of body and mind. As the conclusion of the theory of music performance art, ancient Chinese music theory has abundant resources on physical activity discourse and body aesthetics. Based on the self-awareness of the body in ancient Chinese aesthetics, this article discusses the allegations about the body in ancient music theory in our country from the perspective of body aesthetics, the physical practice of body and mind, the feelings of the objects and the emotion of the mother.