《玉簪记》中的陈妙常是人们熟知的艺术形象。她无论是在戏曲舞台上,还是在中国文学史、戏曲史教材中都有着道姑与尼姑两种身份,这是作家佛道相混的思想观念在作品中的反映,也是不拘生活真实的戏曲创作使然。 Chen Miaochang in “Jade Hairpin” is a well-known artistic image. She has two identities, Taoism and nun, both in the stage of opera and in the history of Chinese literature and in the history of opera. This is a reflection of the writer’s idea of ​​blending Buddhism and Taoism in his works, as well as his life-style drama creation Enough.