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作为影史佳片,《人·鬼·情》历久弥新,而影片中的镜子折射出深刻的寓意。笔者通过探析《人·鬼·情》里实物镜子、意象化镜子和整体影片如镜一般的寓意,着力对影片中的镜寓进行解读,并且以《人·鬼·情》之内的细节、整体作为具体文本,之外的黄蜀芹其他作品作为广阔坐标系以及创作者的历史背景作为深入途径,力图真正洞察潜藏于镜子背后的幽深意义。
As a good film history film, “Man · Ghost · Love” forever, and the mirror in the film reflects the deep meaning. Through the analysis of the mirror of the real object, the image of the mirror and the whole film as a mirror in the “Ghosts and Ghosts”, the author makes efforts to interpret the mirror in the film and takes the details of “Man, Ghost and Love” As a concrete text, other works outside Huang Shuqin as a vast coordinate system and the author’s historical background as an in-depth way try hard to truly understand the deep meaning behind the mirror.