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随着20世纪80年代“美学热”的降温,90年代的中国美学研究一度显得沉寂了许多。而随着中国社会步入90年代中后期,一种叫做“当代审美文化研究”的美学研究出现在众多美学研究者、爱好者的视野中,一时引起了较为广泛的关注,给略显疲态的中国美学研究带来了新的活力。在当代审美文化研究兴起的这十几年里,该研究领域的学者们提出或积极介入了诸如当代中国美学应重视审美文化研究,反思80年代文艺学,日常生活审美化等一系列引起热烈讨论的美学话题,不断地在当代中国美学的研究中显示着影响力。随着当代审美文化研究的发展,针对该研究的讨论也越来越多。但是在这些讨论中,我们发现对当代审美文化研究本身的一些基本问题学界并没有达成共识(?)参与讨论者从对当代审
With the cooling of “aesthetics fever” in the 1980s, the study of Chinese aesthetics in the 1990s appeared to be much silent at that time. However, as Chinese society entered the mid-to-late 1990s, a kind of aesthetics research called “Contemporary Aesthetic Culture ” appeared in the field of vision of many aesthetic researchers and enthusiasts, which aroused more widespread attention for a while Weakness in Chinese aesthetics has brought new vitality. In the past ten years of the rise of contemporary aesthetic culture studies, scholars in this field have proposed or actively intervened a series of issues such as the contemporary Chinese aesthetics should pay attention to the study of aesthetic culture, reflect on the literary studies of the 1980s and the aestheticization of daily life, Aesthetic topics, continue to show influence in the study of contemporary Chinese aesthetics. With the development of contemporary aesthetic culture research, there are more and more discussions about this research. However, in these discussions, we find that there is no consensus among the scholars on some basic issues concerning contemporary aesthetic culture research. (?) Participants from the debate on contemporary trial