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回族几乎少有娱人的表演艺术,解放后歌舞艺术稍有作为。至于话剧,戏曲舞台,及最有观众群的电影、电视,我们几乎是个空白。由于历史的冲击,文化的自为,审美趣味的增容,己渐使回族文化走出仄境,跨越自限,不断迎来了许多“这一个”的第一个。回族题材话剧的第一个,又诞生于中华民族大危难中。值得我们回顾而扬眉。1940年4月,一部由满族人老舍和汉族人宋之的合作的回族抗战题材话剧《国家至上》在重庆上演。这是回族文化史的第一遭,是回族形象
The Hui minority has almost no entertaining performing arts, song and dance after the liberation of a little art. As for the drama, drama stage, and the most audience of movies, TV, we are almost a blank. Due to the impact of history, cultural self-improvement and aesthetic taste enrichment have gradually made the Hui culture go beyond the limits of self-restraint and surpass self-restraint, constantly ushering in many firsts of this one. The first episode of the Hui theme drama was born in the great crisis of the Chinese nation. It is worth our review and raise his eyebrows. In April 1940, a drama of the theme of the war of resistance against the Japanese in the Hui nationality, “the supremacy of the nation,” was conducted by the Manchu Lao She and Song Han of the Han ethnic group in Chongqing. This is the first time Hui history, is the Hui image